Kate talked about using Web 2.0 technology to enhance access to collections, using the examples of State Library’s contribution to Flickr Commons, our ventures into Twitter and this very blog.

Gavin’s presentation delved into the world of Copyright and how workers in the GLAM (galleries, libraries, archives, museums) sector can make it work for them. The talk spotlighted three particular tools available in this industry: Creative Commons, an orphan work strategy and Section 200AB of the Copyright Act.

One particularly fantastic resource for GLAM workers is a free online publication by the Australian Libraries Copyright Committee and the Australian Digital Alliance. This handbook on dealing with Section 200AB and flexible dealing is an excellent resource with reference to very common, often quite sticky, Copyright scenarios.

Kate McDonald showing the group State Library’s images on Flickr Commons

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Image number 65111

Visitors could pay an extra shilling to inspect the Metz Bleriot monoplane, a structure 28 feet from wingtip to wingtip and a length of 25 feet. It had a 50 h.p engine, 7 cylinders and its propellers were said to reach up to a speed of 1200 revs per minute. The plane weighed 156 pounds on the ground. Up in the air, with the passenger and fuel the aircraft reached a weight of up to 9cwt.

Crash of the bleriot. Image number 60453

Lady MacGregor, the Governor’s wife, and lieutenant Governor Sir Arthur Morgan were two of the eminent citizens there to witness the first flight. At 4 o’clock in the afternoon, with clear skies and a light breeze the bird-like machine was guided out of the tent on the oval. After warming up, the monoplane was sent soaring 200 ft into the air. Stone flew the plane 3 times around the exhibition grounds amid great cheers from the crowd, and with each turn increasing altitude until he reached 400 feet.

After successfully flying for ten minutes he began his landing in a very steep decent with alarming consequences. The machine hit the ground sharply and one of the four wheels fell off and in a flash the monoplane did a somersault and crashed into the ground, smashing in half.

To the amazement of the crowd, the pilot made a miraculous exit from the wreckage and except for a few cuts and bruises was uninjured. Stone declared the oval unsuitable for flying being “practically a well from which it was difficult to rise and into which it was still more hazardous to descend”. The crowd surged onto the oval to view the pilot and his broken plane.

Stone was daring and adventurous and lucky to survive some of his many flying “mishaps”. Despite this, the “Wizard” was well respected and admired by many including Bert Hinkler whom he met at a travelling show in Bundaberg in 1912. Hinkler became his apprentice and mechanic and whilst with Stone, grasped every available minute to study the principles of flight and technical information he would later put into practice.

To find information on the history of flight, search our collection using the terms aviation, aviators, aeronautics, air pilots and flight.

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“Jack” Bingham served with the RAAF during World War Two and was captured by the Japanese in Batavia (Dutch East Indies). He was imprisoned in Changi and sent to work on the Burma Railway. The story of his time as a POW and his courageous escape is recounted in his book My Life (2008).

Now in retirement after a long career as an engineer John Bingham devotes his time to producing vivid and expressive landscape paintings. Two of these have been generously donated to the John Oxley Library by their creator and the Library is honoured to accept them. They are full of the great charm, good spirits and love of life of the extraordinary man who made them.

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A feature item of this year’s White Gloves Tours has been the Manifesto of the Labour Party to the People of Queensland, 1892. Recently added to UNESCO’s Memory of the World Register the Manifesto is a very special document, particularly in relation to the central west where the modern day Australian Labor Party had its origins.

On Sunday evening the Manifesto was displayed under the Tree of Knowledge monument and generated a great deal of interest from those who had gathered for the open air BBQ dinner with Premier Anna Bligh and members of her cabinet.

Folklore has it that the Manifesto was read publicly under the Tree of Knowledge in Barcaldine some time after the shearers’ strike of 1891.

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On the following Monday afternoon locals made their way to the Longreach Library where they donned the white gloves and examined the John Oxley Library materials on display. These included a range of items relating to the central west including fascinating letters from Aramac Station written in 1889, a scrapbook kept by John Howe, son of the famous shearer Jackie Howe, the first QANTAS Log Book from 1921, and Queensland’s earliest known handwritten journal of recipes and remedies from 1866.

Thanks to Carmen from the Longreach Library and the hospitality and interest shown by the people of Longreach. Thankyou also to those who shared their stories and donated materials to the John Oxley Library collection during this fantastic White Gloves Tour to the Central West.

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  View of Brisbane, 1865.  Image No: 19422

In 1842 Brisbane was opened to free settlement and as the population grew added pressure was put on the reservoir.  Many complaints about the putrid quality of the water appeared in the pages of the Moreton Bay Courier including the following:

“We need only point to the neglected condition of the public reservoir at North Brisbane, upon which that section of the town is chiefly dependant for its supply, to prove the utter indifference hitherto displayed in this respect.  Constructed for the purpose of collecting and preserving the waters that drain from the hills in the vicinity; reserved from sale as a public property for the purpose, the reservoir is still abondoned to the destructive ravages of wanton neglect.  Its embankments are gradually being washed away, and the water that should be saved for a time of need is allowed to drain off whithersoever chance may guide it.  The basin is open alike to the uses of herds of cattle, of stray pigs, dogs and horses.”  (Moreton Bay Courier, 23/3/1850, p.2)

“Sir - I must crave space in the columns of your journal to draw the attention of the authorities concerned to the present state of the Reservoir, and quality of the water we are compelled to drink.  It does not need any scientific knowledge to see at once the impurity of the water - full of animal and vegetable life, and thickened by the visits of cattle, horses, ducks, &c., stirring up the mud and giving it a body.”  (Moreton Bay Courier, 24/10/1857, p.2)

The Roma Street Reservoir remained the main source of water until 1866 when thankfully the Enoggera Reservoir was constructed.

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Lillian Noah (IKC staff), Elizabeth Fa’Aoso (curator), Her Excellency Ms Penelope Wensley AO and Segar Passi (Murray Island artist)

This exhibition is part of the Q150 and John Oxley Library 75th anniversary celebrations. It creates an insight into Torres Strait Islander culture, with stories depicted in art form and photography.  These images express the spiritual connection of Torres Strait Islanders with their ‘mother land’.

The stories describe the physical and geographical formation of the land and sea, flora and fauna, the sky and the natural elements.  They reaffirm the creation and existence of the Torres Strait and its people.  On the night there was an atmosphere of great pride, excitement, energy and appreciation.  The event was attended by Torres Strait Islander Elders, Torres Strait community members, Brisbane Traditional Owners, family of the late Mrs Margaret Lawrie, regional Indigenous Knowledge Centre Coordinators and dignitaries.

  Members of the Lawrie family

Governor Ms Penelope Wensley, Indigenous Knowledge Centre Administrators and Cairns State Library staff

Mr Segar Passi of Murray Island, the last surviving artist who worked with the late Margaret Lawrie, and whose work features in the exhibition, attended with his two daughters and grandchildren.

  Segar Passi with his grandchildren

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 ”Amipuru” by Ephraim Bani, 1967.  Call No: TR 1791/349

Exhibition installation can be an exhausting few days – climbing in and out of the wall; carrying table-tops and fitting mounts;  getting artworks hanging in just the right spot; adjusting lights; stretching and bending and squeezing in to small spaces! But at the end of the day it is lovely to look back on what you’ve done and see the transformation of an empty space in to a colourful display.  It’s one of the highlights of our job.

For the Exhibitions Conservation team, the preparation of items for Meriba Gidhal has primarily involved mounting and framing the watercolour paintings and pencil drawings, and preparing the loan items for mounts. For every item there are photographs taken and condition reports written, mount assessments done and light levels established. Behind the scenes has been a flurry of activity. We breathe a sigh of relief that everything has been safely installed, and we now begin work on the next one!

 Watercolour by Kala Waia.  Call No: TR 1791/345

 The exhibition opens tonight and will be on display until February 28, 2010.  Enjoy!

 Rhiannon Walker - Exhibitions Conservator

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It is thanks to the generosity of donors that many of our remarkable collection items are available to researchers in the John Oxley Library Reading Room.

In September, a special morning tea, organised by the Queensland Library Foundation, was held in the State Library of Queensland’s boardroom. The Governor-General, Her Excellency Ms Quentin Bryce AC and Mr Michael Bryce AM AE joined the State Librarian, Ms Lea Giles-Peters, and her staff to thank the many donors in attendance for their wonderful contributions to the John Oxley Library.

Among the valued guests present were Mrs Joyce Hewitt, who had donated a diary written by Ms Lucy Adams whilst on voyage from Ipswich to England in 1866 and a letter from the bushranger James Macpherson, written from Brisbane Gaol in 1869. Mrs Hewitt’s Great-Great Uncle was the turnkey at Brisbane Gaol at that time.

Well known former Brisbane TV personality, Mr Hugh Cornish, also enjoyed the event. Hugh donated his entire archive to the John Oxley Library and this provides a great insight into his personal and public life.

Hugh is seen pictured above with Ms Shirley Lahey, who has donated artworks, papers, and awards belonging to her aunt, the famous artist Vida Lahey.

We are always interested in collecting materials that document Queensland’s unique history, so if you have something tucked away under a bed, or at the back of a cupboard, please consider the benefit to future generations of donating these precious items to the State Library of Queensland. 

Contact the Heritage Collections Unit on 38407880 for more information.

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The $63.3 million Kurilpa Bridge, designed and constructed by Baulderstone Pty Ltd., is the world’s largest tensegrity pedestrian and cycle bridge which balances tension and compression components to produce a light but incredibly strong structure.

The cables and flying struts are designed to resemble the ropes and spars of sailing ships and boats. There are two large viewing and relaxation platforms, two rest areas, and a continuous all-weather canopy along the entire length of the bridge.

The bridge completes a pedestrian and cycle loop between the city and South Bank via the Goodwill Bridge and serves as a link between the cultural precinct and the Brisbane CBD.

State Library has a large collection of photographs of bridges, including bridge openings.

  Official opening of the Indooroopilly Toll Bridge, 1932. Image No: 181335

  Crowds of people gathered for the opening of the William Jolly Bridge, 1932. Image No: 34276

The Kurilpa Bridge is the most recent of the Brisbane bridges. Why not check out our photographs of other Brisbane bridges on slideshare or The Commons on Flickr.     
 

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